Photograph by Isabel Pérez Lago |
John E.
Longhurst’s book Luther and the Spanish
Inquisition: The Case of Diego de Uceda, 1528-1529 reminds us of Jorge Luis
Borges’s short story The Garden of
Forking Paths in its treatment of texts used to capture the reader’s
attention to the displayed conflict. Considered as an example of
anti-narrative, Borges’s story is told through a sequence of fragments from
newspapers, letters and other documents that, in reality, do not exist. The
Argentinean writer uses real dates, names and events within his work so as to
make his reader wonder about the realistic character of the story. At one
point, the reader can’t even state clearly whether he is reading a fictional story
with verifiable elements included or a truthful article containing an intense
dose of creative images. Likewise, Longhurst’s work proposes an intriguing way
to tell us about the case of Diego de Uceda during the Spanish Inquisition,
using a postmodern literary presentation of the facts that are divided into
setting, denunciation, double jeopardy, frustration, the burden of proof, crisis,
purification, and an epilogue.
In the first
chapter, the reader is situated within the time and space of the conflict
narrated: the trials set up by the Inquisition tribunals against those who
ideologically opposed some Catholic doctrines, inspired by Martin Luther in the
1500s. One of these figures was Diego de Uceda, “an enthusiastic devotee of the
teachings of Eramus of Rotterdam,” which tried to find a middle ground between
Catholicism and Lutheranism (8). Here are mentioned many of the people
imprisoned by the Catholic Church due to their heretic practices, that is for
believing in Lutheranism, Illuminism, or Erasmism. The idea of confessing to
God alone -not to the priests- plus the need to avoid adoring dead images, which
were considered a resemblance of the idols of the pagans, became two of the
main reformist thoughts defended by Luther, and, of course, they were radically
condemned by the Inquisition.
The subsequent
chapters refer to the recollection of evidences that incriminated Diego de
Uceda, bringing him to the Inquisition chambers (18). Although he clarified
that his only wish consisted of living and dying in the Catholic faith, Diego
was submitted to an extensive trial that ended up in torture. Diego had said
that the most important thing in confession was for the sinner to repent
inwardly and to promise to mend his ways in the future (28). Later, he added
that ignorance combined with an unwillingness to learn is the basis of many
evils, including the misunderstanding of words (28). In a letter written after
having spent days of solitary meditation in his cell, Diego de Uceda confessed
that he also denied a miracle of Our Lady of Guadalupe, and he begged for mercy
to the Catholic Church (35). As Longhurst affirms, Diego’s life, fortune and
honor were at stake while he tried to convince the Inquisitors of his piety and
orthodoxy (50). Diego stated that priests were instituted as arbiters between
God and men, making oral confession the only vehicle to the absolution of sins
(54). Put to be tortured, Diego had to tell the Inquisitors what they all
wanted to hear: words (which he might not even have believed) in support of the Lutheran disregard of confession and
the adoration of images as well as the idea that contrition alone was enough
for the believers to be saved (62-63).
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